(Español) “Javier Viver presenta algunos modelos de edificios futuristas creados con papel moneda chino. Uno está cubierto con oro de 24 quilates para mostrar el exceso y lujo de estos rascacielos”. Global Times
“La relación entre el dinero y el arte es tan elástica como la fuerza de su imaginación. Nosotros quisimos hacer una exposición que fuera relevante, crítica y divertida”. Wang Xin. Comisaria.

(Español) LA NUEVA ARQUITECTURA 3, 2015 (fragmento)
Origami con papel moneda chino y oro de 24 quilates en vitrina. 45 x 30 x 30 cm.

The New Architecture, 2015 (fragment)
Origami with Chinese currency and 24-carat gold in a vitrine
45 x 30 x 30 cm

The New China, 2015
Origami with Chinese currency and 24-carat gold in a vitrine
80 x 80 x 20 cm

The New China, 2015 (fragment)
Origami with Chinese currency and 24-carat gold in a vitrine
80 x 80 x 20 cm

The New China, 2015 (fragment)
Origami with Chinese currency and 24-carat gold in a vitrine
80 x 80 x 20 cm

(Español) LA NUEVA CHINA, 2015 (fragmento)
Origami con papel moneda chino y oro de 24 quilates en vitrina. 80 x 80 x 20 cm.

The New Architecture 1, 2015
Origami with Chinese currency
30 x 12 x 12 cm

The New Architecture 2, 2015
Origami with Chinese currency
30 x 12 x 12 cm
Javier Viver presents some models of futuristic buildings created using Chinese currency. One is coated in 24-carat gold to illustrate the expense and luxury of the skyscrapers. Global Times
“The relationship between currency and art is as elastic as the stretch of the imagination. We wanted to make an exhibition that’s relevant, critical and fun,” Wang Xin. Curator.
The New China
“One day I heard a very well known Chinese artist telling he doesn´t like the new China. He was speaking about the demolitions policy. Every day we see modern alien towers beside the old neighborhoods. New cities built by the supreme economic criteria of a few ones wealth.
I do not reject market. It would be a cynical position. But market should be leaded by a big identity beyond the capitalism. Other wise China will be an extension of the great cultural and economic crisis of western world. And about that I think we can say something.”